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iPanel is a professional online sample collecting company for market survey. We invite netizens to join our membership system through internet or offline for free to help corporations obtain opinions and suggestions of the consumers.

iPanel lets you share your opinions and suggestions fast, conveniently and intelligently. Any survey you participate in will give you 1-2000 points. We are a reputational Asian online survey company ranked within the top 10 of the sample companies throughout the world by authorities through consecutive years. We keep our promises to you and receive high credibility from the members. The online surveys offered by our company are rewarded with redeemable points to you.

You only have to obtain our questionnaires by email or logging onto our membership system and based on your personal status duly fill the questionnaires through which you can pay attention to or give opinions on the products or services around yourself. Our surveys only aim at domestic members of a country who will be screened as participators and the quality of the questionnaires will be controlled by our strict internet technologies.

Survey has always been a strong method of corporations knowing about consumers, obtaining feedbacks on new products and acquiring the developing tendency of the industry. Before the application of internet, companies used to spend huge amount of time and money on assigning organizations to take the methods of interviews, street interventions, phone calls and others to survey and manage the interviewees. The online survey makes it easier for interviewees to participate and select freely which is accepted by more consumers with wider range to make the survey result closer to actuality.

Moreover, the interviewees can participate in the questionnaires any time anywhere according to their own time. Without any special requirement, we do not need you to go to any designated location or participate in any phone call questionnaires. You only have to easily answer the online questionnaires when you have access to the internet. Online survey has getting more and more acceptable by the consumers and more corporations are making all kinds of products or satisfaction surveys through us. However, with the developing of online survey, some may be cheated. There are 'alliance partners’ who have no intention to pay and on the contrary will try to obtain your information, sell products to you or both! What can be worse is that some ‘affiliate agencies’ try to offer you ‘lottery draws’ to cheat internet members. Those absolutely do not exist in iPanel and any of our promises will be made into payments.

In our membership system the surveys fitting your personal status will be listed for free participation and we pay with cash and/or gifts for rewarding. For thanking your support, we offer the function of obtaining more points and we will also weekly give lucky draws to credible members. In iPanel you will harvest a lot everyday and your points can be redeemed for cash anytime. Our payments are of different types which can support all kinds of credit cards, bank account cards or online payments.

By joining iPanel, your opinions will be considered of enough importance and you will contribute much in the improvement of the products and the quality of the services and also your life quality will be much improved.

We are against of any cheating by technology or fabricating fake information. We have policies to rank the credibility of our members. Our surveys are only sent to respondents with real information, honesty and seriousness in questionnaire answering.

Our payments are in time and rapid which can be made within hours or one week. If you intend to join an online membership management system with extreme high credibility, iPanel will be your best choice!

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"NAYAK" WALLPAPERS & AUDIO SONGS

Mega Power Star Ram Charan’s ‘Naayak’ Audio has been released few days back at a grand function held in Ramanaidu Studios, Nankramguda.The film’s soundtrack has been composed by SS Thaman. For the Thaman scored for a Ram Charan-VV Vinayak starrer. Naayak album has five original tracks and a remix.Charan is known for his terrific dances so let us see what Thaman has conjured up for the Mega Power Star.

1. Laila o Lailaa — 4.25/5

Singers: Shankar Mahadevan, Ranjith, Rahul, Naveen

Lyrics : Chandra Bose

‘Laila o Lailaa’ is a peppy club song that will most likely be used to introduce Ram Charan in the the movie.The song’s beats remembers you of 80’s clubs songs. Shankar Mahadevan is as amazing as ever and his vocals are strong and full of energy.This is a youthful track and now that Charan’s master moves have been leaked this will become a highlight number in the album and also in the theatres.

2. Kathi Lanti Pilla – 3.75/5

Singers: Thaman, Shefali Alvaris

Lyrics: Chandra Bose

This is more of a peppy song and it has the mix of rap to it. ‘Kathi Lanti Pilla’ is a duet that has been rendered by Thaman and Shefali Alvaris.The song is addictive, thanks to Thaman as he croons ‘Madam’ at regular intervals that keeps you hooked.Once again, music has been tuned to provide scope for Charan to showcase his dancing skills. A decent song overall and you can expect some lovely beach visuals for this number.

3. Subhalekha Rasukunna — 3.25/5

Singers: Haricharan, Shreya Ghoshal

Lyrics: Veturi

‘Subhalekha Rasukunna’ is an evergreen classic of Megastar Chiranjeevi, with lyrics penned by the late great Veturi garu. The superhit remix track Subhalekha Rasukunna is here but it falls short of expectations. While Shreya Goshal sings this song very melodiously, the male singer Haricharan fails to impress. As for Thaman, he should have toned down the drum beats and synthesizer effects for this remix.Let’s wait if the visuals are attractive…

4. Oka Choopuke Padipoya – 3.5/5

Singers: Vijay Prakash, Bindhu Mahima

Lyrics: Bhaskara Bhatla

This is a romantic duet that has some pretty predictable music from Thaman. The singers Vijay Prakash, Bindu Mahima have adopted a very subtle and restrained style of singing for the number and that works in its favour. Bhaskar Bhatla provides us with some warm lyrics. A predictable and strictly ok track overall.

5. Nellorae — 4/5

Singers: Jaspreet Jasz, Suchitra

Lyrics: Sahiti

‘Nellorae’ is a mass masala number that will drive fans crazy if choreographed well.Nellorae is a mass song of the album sung brilliantly by Suchitra by ample support from Jaspreet Jazz. Suchitra ,in particular, has infused great energy in her vocals. It is an instantly likeable song. The beats are very interesting that makes the listeners hit the dance floors. Sahiti penned massy lyrics strikes right chord with target listeners.

6. Hey Naayak – 3.75/5

Singer: Shreya Ghoshal

Lyrics: Chandra Bose

This is the title song of the album and very impressive. There is a good flavor of youthful beats and the trendy style is nice. Shreya Ghoshal is in full flow, with a pretty energetic performance that is nice to listen to. Chandra Bose has penned the lyrics for this song and they do the job.The song has all the ingredients of being a chartbuster with engaging beats in its tempo.The inclusion of Hindi lines is variety and gives a different experience to the listeners.

Final Verdict:

The audio album of ‘Naayak’ makes one thing abundantly clear – Ram Charan will be in full flow with his dances.Thaman has come up with a mass album that has a good scope for dances. Since Ram Charan’s dances in promos looked dashing, we can expect good visuals on-screens and the right placement of songs will make Naayak album stay longer with the listeners. Thaman has played it safe with his tried and tested drum beats and synthesizer notes. Nothing new from him in terms of music. ‘Hey Naayak’, ‘Nellorae’ and ‘ Kathi Lanti Pilla’ ,‘Laila O Laila’ will be my top picks from this album.

                        FOR AUDIO DOWNLOAD

                                CLICK HERE

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TALASH Review

Rating: 3.5/5 stars (Three-and-a-half stars)

Star cast: Aamir Khan, Rani Mukerji, Kareena Kapoor, Nawazuddin Siddiqui, Raj Kumar Yadav, Shernaz Patel.

What’s Good: The nuanced performances; the enticing cinematography; the direction and music.

What’s Bad: The pace; the slightly disappointing ending.

Loo Break: None.

Watch or Not?: Let the thrill and mystery sink in. Watch it for a different kind of film with much more than good acting, music and the thrill.

There’s a lot of searching in Talaash; Aamir’s quest to solve a murder, Rani gropes for closure, Nawazuddin tries to find a way out of his hellish life.

When a famous actor dies in a mysterious accident, police officer Surjan Singh Shekhawat aka Suri (Aamir Khan) mixes up his personal and professional worlds. His search for answers takes him to seedy whorehouses and a milieu of pigheadedly uncooperative to dangerously seductive characters.

He has a street-smart junior, Devrath (Raj Kumar Yadav) who helps him in the investigation, a deliciously inviting hooker, Rosy (Kareena Kapoor), who drops mysterious hints about the case and talks in riddles, and a tricky Temur (Nawazuddin Siddiqui) who’s playing his own games. While he tries to connect the dots of the murder, blackmail and the lies, he and wife Roshni (Rani Mukerji) are barely able to come to terms with the death of their son. Old hands in the police department try and persuade Suri to drop the case, claiming it to be one of the unexplained “A Final” ones.

Blaming himself for his son’s death, Suri spends his nights wide awake, driving through desolate streets and seeking answers, leaving Roshni alone to grapple with her pain. So when a neighbour (Shernaz Patel) claims to talk to her dead son’s spirit, Roshni does not need much convincing to seek her help.

Was the actor’s death an accident or murder? Is there something that connects Suri’s son’s death and the actor? Does Temur help the investigation, botch it or start his own games altogether? And what role does Rosy really play in all of this?

The answers aren’t all purely deductive, but veer to the supernatural as well.

Talaash Review: Script Analysis

Reema Kagti and Zoya Akhtar’s second collaboration sees a lot more intricacy in terms of the story, depth, characters. The story has been woven very well to display the dangerous dance of how Suri’s real, imagined and perceived worlds intermingle. Their skill in creating an eerie heaviness throughout the film is very good. The dialogues by Farhan Akhtar are good. One flaw seems to be in Rosy’s character. She seems too classy with her dresses, bags and stilettos, to be an ordinary hooker that she’s shown to be.

The film takes its own time, ambling through the dingy, claustrophobic corners of Kamatipura. While this really accentuates the mystery and thrill, it can get tiring to some. They deserve another pat for bringing out the emptiness surrounding Roshni and Suri without too much of the waterworks. Even though the ending explains the mystery, it’s not entirely satisfying.

Talaash Review: Star Performances

Perfectionist or not, Aamir Khan does an excellent job of the troubled cop-father Suri. He really brings out a father’s pain – the helplessness, playing over what he could have done differently over and over in his head, the inability to comprehend why and come to terms with it. It’s difficult to look beautiful and as pained Rani Mukerji who does a marvelous job as Roshni. And she’s not doing it by bravely wiping away her tears with her pallu; it’s her expressions and the silence that do all the talking. Kareena Kapoor manages to hold Rosy’s mysterious aura quite well. One scene – when she tells Suri about her missing friend – particularly stands out for just how perfectly she allows only a sliver of sorrow to show on her face.

How Nawazuddin Siddiqui manages to pull of slime bag and adorable Temur in one role is anyone’s guess, but this man makes you giddy with his facets. Raj Kumar Yadav does well as Devrath. The other actors lend very good support.

Talaash Review: Direction, Music & Editing

Reema Kagti keeps a consistent direction throughout the film, giving the viewer everything to concoct the answer to the mystery in their own heads. The ending might be a letdown for viewers for the unconventional way she chooses to answer questions, but it has been done well. KU Mohanan’s cinematography is wonderful. He lends a dreamy look throughout the film with the colours, focus and the weirdest locales. Ram Sampath does an amazing job with the perfect mix of titillating and mysterious with jazz, electronica and classical fusion. Javed Akhtar lends good lyrics.

The sets deserve a special mention because they are so brilliant, with even the infamous cages of Kamathipura.

Talaash Review: The Last Word

For those patient through sit and allow the movie to take over, Talaash offers a lot with the mystery, Aamir and Rani’s performances, and enticing cinematography. But others might be put off by the unconventional story might not satisfy all.

Krishnam Vande Jadurum Pics & Review

What Is Good: Dialogues, Rana performance, Background score, Villain, Posani Comedy.
What Is Bad: Screenplay, Editing, Forced songs in second half, Less entertainment quotient. Unimpressive Climax.
Boring Scenes:Brahmanandam comedy scenes, Drama Scenes in first half,  Few scenes from second half.
Watch It Or Not ?: Missing the soul and feel of Krish films. With less entertainment quotient KVJ fails to impress regular audience.    

Krishnam Vande Jagadgurum Review: Story

B.Tech babu[Rana] is Surabhi theater artist from childhood along with his grandfather [Kota Srinivasa Rao] .He plans to move out of India. Unfortunately his grandfather pass away and B.Tech babu goes to Bellary to perform a stage play which is last wish of his grandfather. There he meets Devika[Nayan], a TV journalist filming documentary against mining mafia and fall in love with her. With the ongoing situations B.Tech babu come to know that his parents got murdered and wants to take revenge for it. How B.Tech babu find out the real murderer and take revenge on him? Will Devika able to bring mining mafia to halt? What happens to the love between B.Tech babu and Devika? are to be seen on silver screen.

 

Krishnam Vande Jagadgurum Review : Star Performances

Surprisingly Rana gave his best performances by far as Surabhi theater artist. He improved quite a bit in dialog delivery with good diction, also managed with the required expressions. Actually these are two problematic areas for Rana and he had shown good improvement, Keep-It-Up Rana, way to become true heir of Daggubati fan base.  Devika character has less scope for acting in this film, Nayan managed to make her presence felt with few dance moves and expressions, Her voice is irritating.   Villain Milind Gunaji as Reddapa gave impressive performance and looked apt for the character. Raghu babu acting at few scenes are worth mentioning. Posani krishna murali is the only entertainer in this film, Kota & Satyam Rajesh made their presence felt. Bramhanandam as Rampam is wasted.

 

Krishnam Vande Jagadgurum Review : Direction, Music & Technical Aspects

While his trademark story telling is quite evident in the film, Krish's unique way of presenting society problem in an entertained yet message oriented way is missing quite-a-bit. Krish failed to provide the common man connection factor which is the core of his earlier films[Gamyam, Vedam]. But one should applaud his love for the art[kala]  without which he couldn't bring in those stage shows to the film. Music by Mani Sharma is entertaining, especially background score is extraordinary and will keep the audience attached to the film story.   Dialogues by 'Sai Madhav Burra' are heart & sole of this film, You are sure to remember many of these dialogues for days to come. Cinematography by VS Gnanasekhar looked alright. Editing and Screenplay are the minus parts of the film, which limited the film from one time watch to only for hardcore movie buffs.  

 

Krishnam Vande Jagadgurum Review : 

Tollywood has very few directors those who understands cinema as story telling, Cinema as a medium to bring awareness in people about the burning issues in society, Cinema as the medium to retain our culture. Jagarlamudi RadhaKrishna [Krish] is certainly one among them. Krish is not only known for his storytelling abilities but also bringing true actor out of artists, No surprise this is the best performance of Rana by far. However Krishnam Vande Jagadgurum doesn't reflect his true potential. Bringing the oldest art form 'Surabhi Drama Company' alive once again to common audience is a daring step but failed to execute effectively. Unknown darker side of the mining mafia was exposed to a little extent. While the movie started on serious note of  touching people, society, art and created curiosity, but failed to connect multiple story blocks together from pre-interval, which has only continued throughout and disappoints at the end.  Entertainment in 'Krish genre films' usually be the part and parcel of story comes from characters whom we see in our daily life, but that's failed miserably within this movie.